He’s been around the block a few times, traveled the Country sea-to-see like a Winnebago Nomad performing both large and small venues—and calls Chicago his home. Gman Blues has been busy in his virtual sound cavern writing and recording his latest project “G-force”.  The force is a collection of musical sketches inspired by this great city, and exploring as he puts it “life below pop radar”.  The album does have commercial appeal though; the songs have likable lyics and moving melodies.

 

The album has a blues edge punctuated by acoustic rock numbers. Gman does his own stunts; this record is a one-man-show. "G"  performs all instruments, and vocals on this album.  This project is a showcase of Gman’s incisive songwriting, production, and performance talents.  

 

 

 

Notes from the making of G-force by Gman:

 

 

 

Onederous You

This song began originally as a children's song, but as the tune matured,  I quickly realized that it would have a prominent place on G-force.  I have a thing about it’s laid back groove, and it’s crazy background vocals. 

 

Chi-town girl you rock my world

Hot soul on fire

High as a kite on a Champaign Flight

She wants to take me higher.

 

Well it’s you, Onederous things that you do

When you do, all the things that you do

 

Who’s got the goods in the neighborhood?

Love to watch you walk

But when it’s me and you and the Boom boom boom—I love your baby talk

 

Well it’s you, Onederous things that you do

When you do, all the things that you do

 

And when I’m far away

Rockin’ on a stage

She’s always there for me

She’s like a smoking’ gun

She makes a blues song fun

She loves so wonderfully

 

When we Sneak away

at the end of the day

You know I want to explore

you know you’re such a tease

I beggin’ pretty please

You got me wantin' for more...

 

She’s got some kicks in her book of tricks

Hasn’t used them all

Mojo, ‘Sutra , and who knows what?

I’m gonna hit the wall

 

Well it’s you, Onederous things that you do

When you do, all the things that you do

 

 

 

Sally Port Paddy

Sally is my first attempt at writing a pop song.  The song has a wonderful groove that contrasts with the main characters disastrous end. Even in that however, there is a cheery resolution to the story.  I had a lot to say about Sally—so much so that I actually wrote a short story about her and pulled events out of the story for the song.

                My good friend Cos called Sally Port Paddy “The Feel-Good Song of the Summer”.

                “Cos, the song is about a woman who overdoses!” I said.

                “I don’t care—it’s still a happy song!”  he replied. I will have to agree with Cos.  He knows more about happy summers than anyone else that I know.

 

When Paddy Takes her Pill,

She Starts another Day

It’s latte and IB and shower steam,

to get back in that good good-day thing

 

Sun comes up, streams through the clouds;

radio samba playin’ loud,

Can’t wait to board that train,

cause Paddy feels no pain.

 

The others on the outside,

can’t seem to break her stride

‘Cause Paddy’s got a secret that she can’t share

It saves her from her dark dark despair

 

Tropical rhythm, steel drum band,

 footprints washing in the sand,

Big 0l’ sleepy coconut tree,

sail upon a summer breeze

 

Somewhere a million miles away,

from the world she left behind

Reality resigned from the daily grind

Somewhere away from anywhere common sense declined

In a world designed to be so damn unkind

 

 Then one day it all was real,

it had that funky kind of feel

No reason to ever get out of bed,

official report was Paddy was brain-dead

Sailed off  somewhere warm and kind,

slice of paradise in her mind

There was one place left to go,

swim ato the dolphin show.

 

 

Happy Birthday Baby

Seems that in life we make the same two birthday choices: "Birthday" by the Beatles (which is without a doubt a great song) and the traditional “Happy Birthday” song (urban rumor that Sir Paul owns this as well)... I humbly offer a third Birthday Choice.

My original concept was a “Rainy Day Woman” sound.

 

Happy Birthday,

another year’s gone by

Still good-looking,

my how time flies

Were all wondering,

were you surprised to see us baby?

We all came out on your special day,

standing ‘round this bright birthday Cake

Waiting for the wish you will make—hope it’s happy baby!

 

 

Centralfunkal Force

I had to do a lot of research for this song. (wink wink nudge nudge say no more…).  An though I am kidding here, the song has a dark message about hopeless alienation in a huge metropolitan complex. The main character is attracted to a pole dancer and fancies her a butterfly. He urges her to “fly away and don’t look down to all the poor souls anchored to the ground. Use your imagination to hear the rattling chains (tamborine) played against the police siren slide guitar.

 

1)Purple smoky starlight fills the night

Seedy men with watered whiskey hold on line

There’s a girl who drifts ‘n dances,

rides a pole, she makes advances

Dances round and round and round again

 

2) Mojo bag on a string hanging from my heart

Laying low in the shadows, I'm playin’ it smart

Flashing neon runway, she takes off on her soiree

Drunk on the sin of her smooth bourbon skin

 

Why am I so alone?

Five million people call this city their home

Desperate people disconnected, disengaged, and dejected

seek secrets of the night

 

 Round ‘n round she goes

Where she stops no-one knows

Can’t get off, can’t stay the course

Spinning round, without remorse

Caught in her Centrifunkal Force

 

3)Fly away Butterfly fly-fly so high

Spread your wings please take to the sky

Don’t look back, don’t look down

upon us poor souls anchored to the ground

Fly away Butterfly fly-fly away

 

 

Miracle on Fourth Street

A very good friend of mine inspired this song. Every time we talked , the conversation halted abruptly whenever an attractive woman walked by. He was like a deer in the headlights, while I kept time like a high school track coach.

 

Chi-town woman walkin’ down the street

Red hot pepper movin’ to the beat

Traffic slowin’ gonna get a look

Chi-town woman, she got everybody shook

 

She’s got the motion

She’s to the movement

(she’s got the motion, she’s got the motion)

She’s got the motion

She’s to the movement

 

I was just hangin’ around

Not much goin’ down uptown,

She walked by with her hair flowin’ back

‘bout to give me a heart attack.

 

She’s got the motion

She’s to the movement

(she’s got the motion, she’s got the motion)

She’s got the motion

She’s to the movement

 

Iron workers lookin’ down

At that sight gracin’ the ground.

There’s a young buck with his wife,

I’ll bet he’s contemplating his life.

Old lawyer about to defend,

Whishes he was 20 again

Homeless man bumming a buck

Wishes she would change his luck

Hare Krishna no shoes on his feet

Knows his flowers don’t smell as sweet.

There’s a cop workin’ the street,

Even he is missing a beat.

 

She’s got the motion

She’s to the movement

(she’s got the motion, she’s got the motion)

She’s got the motion

She’s to the movement

 

Now she’s gone I’ll get back to my post

Just hangin’ around

When I heard a four car crash

A few blocks down

 

She’s got the motion

She’s to the movement

(she’s got the motion, she’s got the motion)

She’s got the motion

She’s to the movement

 

Click on Photo to enlarge...

 

  

 

 

 

 

 

Knee Deep

I wrote this in the parking lot of K-mart not long ago. I couldn't wait to get into the studio to record it, and as a result this is the quickest song I've ever put down; about five hours from a ditty in my head to the song you hear now. It's not deep, but I think it has a soulful Chi-town sound. What do you think?

 

Sweet patoots,

You got me jumpy like a bug in June

I’ve changed my tune,

and now I bayin’ like a dog at the moon

In my eyes, you’re gonna find a sweet surprise,

All caught up—knee-deep in love

Knee deep in love,

not a thing I’m especially proud of

You got the better of,

 knee-deep in love

 

 

 

 

Gary “gman” Wesselhoff: Acoustic and Electric Guitars, Bass, Drums and Hand Percussion, Blues Harp, Lead and Background Vocals.

 

This album is truly a solo effort.  It’s been a fantastic experience taking ideas transforming them into art pieces, and giving them a physical form from start to finish; layering track upon track, and coloring the collection of sounds.   I am extremely proud of this record.

 

As with all undertakings worth doing, I have grown considerably as an artist, musician, a writer thanks to G-force.

 Thanks to:

Woodlind: me old band mates!

Acoutic Thing: for my second launch

Carla: without whom there would be no gman Blues

A huge Thank you to all who support live music.


betarecords.com/gman.blues

G-force: 1) used to indicate the force to which a body is subjected when it is accelerated

2) a collection of blue-colored, blue-collared musical compositions inspired by the exciting inhabitants of the Chicagoland metro.